THURSDAY 27 JUNE 9.30 p.m.

TEATRO SOCIALE

ROBERTO LATINI

JAGO

stage concert with occasional Shakespearean pretext for dissident voice and complicit music

by and with Roberto Latini
music and sound Gianluca Misiti
lighting and technical direction Max Mugnai Max Mugnai
production Compagnia Lombardi / Tiezzi

Conceived as a concert, with the ‘set list’ becoming the entire dramaturgy, the performance concluded the RADIOVISIONI (RADIOVISIONS) path, insisting on certain stages of the group's research on amplification. A work on the word and its capacity to be silent, on the border between sense and sound, with Shakespeare as a pretext. An in-depth study of the architecture of the tragedy of the Moor of Venice, to highlight its fundamental junctures and scenic occasions. Jago is also an almost faithful re-proposition, in sound, of an earlier Jago, some thirty years distant. It was 1998 and Roberto Latini presented this work right here at Opera Prima with a group that was then called Clessidra Teatro. From the spider weaving the web to trap the black fly, we focus here on Jago's performance. Simply, how he was able to replicate himself, from rehearsal to performance, doomed, doomed, to the pleasure of deception. Another way of being the author on stage, the puppeteer of the whole tragedy and also its first spectator. In an apparently unarmed theatre.

Roberto Latini actor, author, director, trained in Rome at Il Mulino di Fiora, an Acting and Theatre Research Studio directed by Perla Peragallo, graduating in 1992. Founder over the years of the companies Teatro Es and Clessidra Teatro, he is the founder of Fortebraccio Teatro, a company recognised by the Ministry of Cultural Heritage and Activities from 1999 to 2018. Among others, he received the Sipario Prize, the Ubu Prize in 2014 and 2017, and the Critics' Prize in 2015. He directed the Teatro San Martino in Bologna from 2007 to 2012.

running time 50‘

FESTIVAL OPERA PRIMA - EDIZIONE XX